ONLINE RESOURCES FOR STUDENTS OF ENGLISH


USEFUL WEBSITES FOR STUDENTS OF ENGLISH LITERATURE


SSME Resource Creation Reflection #3 – Resource planning for ...

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FOR TEXTS

Project Gutenberg - Project Gutenberg is a digital library with more than 60,000 books. Most of the books are available in plain text format, but HTML, PDF and other formats are also available for some books. A great resource for students. 
Poetry Foundation – Poetry foundation has more than 40000 poems on its website. Students can read poems from classic as well as contemporary poets here.
Representative Poetry Online - Representative Poetry Online is also a repository of around 4800 poems.
Poets' Corner - Poets’ Corner “The collection covers roughly 7,000 works by about 800 poets - including some of the best known works in the English language - and many obscure and forgotten works that are well worth reading.”
The Complete Works of Shakespeare - This site offers the Complete Works of William Shakespeare (Poems as well as plays).

FOR REFERENCE
ePG - Pathshala- “e-PG Pathshala is an initiative of the MHRD under its National Mission on Education through ICT (NME-ICT) being executed by the UGC. The content and its quality being the key component of education system, high quality, curriculum-based, interactive e-content in 70 subjects across all disciplines of social sciences, arts, fine arts and humanities, natural & mathematical sciences."
Go to the ‘Students’ Corner’ on the home page and select your subject from a list. Then select from a dropdown menu the paper and module you want to access.
Literary History – “A selective bibliography of open access articles for more than 300 authors, favoring signed articles by recognized scholars, articles published in reviewed sources, and web sites…”
The Victorian Web – This website is the biggest repository of information on the Victorian period in English literature.
Shakespeare Birthplace Trust - Offered by the Shakespeare Birthplace Trust, this website is storehouse of information on Shakespeare. Apart from being a visual treat with photographs of Shakespeare’s birthplace, this website has a good repository of learning material for students as well.
Encyclopaedia Britannica - This website has good reference material for on all the ages and all the major writers of English.






THE BACHELOR OF ARTS - PLOT AND AUTOBIOGRAPHICAL ELEMENTS


THE BACHELOR OF ARTS – PLOT AND AUTOBIOGRAPHICAL ELEMENTS

PLOT CONSTRUCTION
The plot of the novel can easily be divided into four parts, with each part marking a distinct stage in the growth of Chandran as a character. When the novel begins, Chandran is a cheerful, confident, and ambitious college student who has his own set of prejudices, choices, middle class snobbery, and dreams. He is smart, intelligent, and a laborious student. His college life and its adventures, which ru up to first five chapters, form the first part of the novel.
The second part, which consists of five chapters, is all about Chandran’s first brush with love and its trauma. He falls madly for a girl called Malathi and waits for her every evening at the banks of Sarayu. His intensions of marrying the girl cause tension and conflict with his parents, particularly his mother who believes in following all the customs and traditions as well as in the idea of supremacy of the groom and his family before the bride’s. Chandran’s father tries hard to get the alliance materialize for the sake of his son, but for the rigid attitude of Malathi’s father who is not willing to risk his daughter’s life for a good alliance. Chandran’s frustration and contempt for rigid societal norms and customs knows no bounds. He is not able to take the blow of celebration of Malathi’s wedding announcement, and falls ill. His father advises him for a change of place and arranges to send him to Madras. Chandran leaves for Madras.
The third part of the novel is the most important part from the point of view of plot construction. This part can be said to be the structural center of the novel. Though there are only two chapters in this part, this is a significant landmark in Chandran’s growth as an individual. Kailas is an embodiment of all the temptations that the world has to offer. But Chandran is able to resist the temptation of women and wine because of his fine upbringing. Chandran renounces everything and becomes a sanyasi, begging for alms and avenging himself upon the world for its cruelty and heartlessness. For eight months he sleeps on footpaths, loiters about from one village to another surviving on charity. Finally he realizes the futility of this rebellion and he understands that the nature of his renunciation is altogether different from the renunciation of sanyasis who give up the world to attain salvation whereas he has adopted it as an alternative to suicide. He realizes that he has cheated people who helped him because of his garb of a sanyasi. He comes to terms with his life and decides to return to the place where he would be always loved – his home.
The fourth part is about Chandran’s homecoming, and it consists of six chapters. He realizes his mistakes, and feels sorry for causing immense worry to his parents. He feels grateful for their love, care and concern. He also feels that now he should become financially independent instead of living off his father’s wealth. He acquires the Malgudi agency of Daily Messenger and uses very innovative ideas to increase its circulation. He marries the girl his parents suggest for him.
Though the plot looks loose and incoherent initially, but there is thematic unity in all the parts and Chandran is the unifying factor of all the parts.

AUTOBIOGRAPHICAL ELEMENTS

All the three novels in this trilogy, Swami and Friends, The Bachelor of Arts, and The English Teacher have autobiographical elements in them. For this novel, Narayan borrows heavily from his own college experience. He was a student of Mysore’s prestigious Maharaja’s College that had many British professors and a great English teacher and scholar J. C. Rollo as its principal. The character of Professor Brown bears a close resemblance to Prof Rollo. Narayan has created Albert Mission College out of his experiences as a student of BA in Maharaja’s College , Mysore.
Though Unlike Chandran, Narayan was not a bright and hardworking student, his favorite pastime was to sit on the college stairs and discuss everyday matters with his close friend Ramachandra Rao aka Ramu. Chandran’s friend Ramu is actually Narayan’s friend Ramu in his fictionalized avatar. Narayan’s younger brother was also named Seenu and he would accompany Narayan on many of his adventurous outings with Ramu.
Narayan, at the age of twenty eight, fell in love with an eighteen year old girl Rajam the moment he beheld her. He approached the girl’s parents with a proposal for marriage who were outraged at the unconventionality of the proposal. Narayan’s and Rajam’s horoscopes did not match and her family was not ready for the alliance. It took Narayan a lot of effort and time in convincing them. Finally, the marriage took place and Narayan spent some happiest years of his life with Rajam. But this happiness was short lived as Rajam died soon after giving birth to their daughter Hema. The character of Susila bears a resemblance to Rajam.
Chandran’s falling in love with Malathi at the first sight, and the ensuing conflict and tension is fictionalized version of Narayan’s own experiences.
Also, Narayan worked for a newspaper called The Justice for some time. Chandran’s choice of career for himself is based on Narayan’s own experience as a city reporter for this newspaper.


THE BACHELOR OF ARTS - THEMES


   CRITICAL ANALYSIS OF THE BACHELOR OF ARTS
  
·  


THEMES 

  • Theme of Growing Up

Since this is a Bildungsroman novel, theme of emotional growth/maturity of the protagonist is dominant.  The novel shares this theme with the first novel in the trilogy, Swami and Friends, and focuses on the development of the protagonist from immaturity to maturity and from innocence to experience. Swami and Friends has a young ten year old boy Swami who does not want to part with his friend Rajam, but is forced to do so as Rajam’s father is transferred. This breaks his heart and he escapes into jungle. This heartbreak is a great step towards him attaining maturity and growth from childhood to adolescence. In The Bachelor of Arts Chandran grows from being a young adult to being a worldly wise family man. He faces heartbreak, runs away from home, becomes a sanyasi, returns and tries to correct all the wrongs that he has done. His journey is from being a carefree, cheerful college student to becoming a responsible son and husband.
In the college, Chandran is like any other ordinary student who is scared of his teachers and who has his own set of prejudices and snobbery. When he wins the debate and wants to celebrate with Ramu and plans for a night show, he is initially scared to seek permission of his father, yet he gathers courage and pulls himself up by thinking that he is an adult, should behave like one, and should talk to his father without any fear.
When he is made the secretary of Historical Association, he initially does not like the idea of being a secretary. He has a certain prejudice against the secretaries of various associations of the college. But now that he is made one, the leader in him takes hold and he organizes the meetings with great enthusiasm and maturity. This is a step ahead in his growth where he sheds his prejudice and fulfills his responsibility.
When he falls for Malathi and fantasizes about her, he behaves like any other teenage boy newly fallen in love. But when this love and longing torment him, he decides to talk to his father about marrying her. Initially he is so scared that he just cannot bring himself to initiate the talk. But the next day when he is about to leave his father’s room without talking, he thinks that he would be unworthy of Malathi if he continued behaving like a coward. He goes back and declares to his father that he wants to marry her. From a teenage lover boy, he matures into a responsible man who can decide for his life.
His rebellious nature and modern and unconventional outlook about society becomes obvious in the way he reacts to the horoscope debacle. He is outraged and is almost on the verge of rebellion when Krishna Iyer categorically dismisses the alliance.
He, in  a true immature teenage fashion, writes a letter to Malathi and asks her to write only ‘yes’ or ‘no’ on a piece of paper to his proposal and he would wait for her. All his mental poise and strength goes to the winds when he witnesses Malathi’s wedding notice celebrations. He is not able to handle this and falls ill.
Later when he is in Madras in Kailas’ company, his profligate ways trouble him and he is mature enough to know the difference between good and bad, and leaves his company immediately.
Though he sees a lot of this world during his sanyasi days, he is still not able to come to terms with the Malathi episode, blames Malathi for all that happened and for his miserable condition. He is still not mature enough to deal with his heartbreak. After wandering for eight long months he realizes that his renunciation is different from the renunciation of other sages who do it for spiritual attainments. He has done this as an alternative to suicide. He feels guilty of cheating innocent people and also his parents. Finally, he is able to see things with a lot more clarity. This eight months period has given him a better, balanced perspective. But he is still not mature enough to NOT think ill of Malathi and let this episode remain just as an addition to his experience of people and the world.
Back home, he is happy to be reunited with his family. He finds a good friend in Mohan and confides in him. He does not want to be financially dependent on his father anymore. He starts his own business and is almost back to his normal, earlier self. But when, after one year of his homecoming, his father comes to his office and asks about his willingness to consider a new proposal for marriage, all the smothered flames start burning bright and he rejects considering it. But he is matured enough now to understand his parents expectations and wishes and  he calls Mohan for a man-to-man talk and discusses the whole issue. When he is convinced that he is ready to move ahead in his life, he accompanies his mother to the bride-meeting ceremony. One glimpse of Susila is enough for him to fall in love once again. On his way back home, his mind is full of Susila’s thoughts, her name is so musical as compared to Malathi’s which is odious and almost like a tongue twister.
It takes him some more time before all the ill-will and malice is removed from his heart and he is able to think good for Malathi. He is content with his life, and this contentment helps him take people and circumstances in his stride. He thinks well of everyone, wishes good for them and has grown up enough to understand the fact that all the people have some struggles to attend to.


  • THEME OF FAMILY RELATIONSHIPS

All of R. K. Narayan’s novels have family relations as one of the most prominent themes.  Family serves as a catalyst that helps the protagonist stay rooted and firm even amidst a whirl of conflicts. In this novel also Chandran’s anchor in life is his family that loves him unconditionally. He has his parents and a younger brother Seenu in his family. His father is a retired District Judge who, though having his own set of traditional beliefs, and also prejudices,  is liberal to a great extent, and has a different idea regarding disciplining his son. When Chandran wants to go for a night movie show and asks his father about it, he does consent to it but at the same time makes it clear that he does not want Chandran to make it a habit.
In the Malathi episode, though he is also not very happy with the gap between Krishna Iyer’s status and his own, he still goes ahead with the talks for Chandran’s happiness. When Chandran is not satisfied with Ganapati Sastrigal’s interpretation of horoscopes, he consults another astrologer to be doubly sure.
He tries all that he can to be an understanding father, yet he respects his wife’s opinion regarding important household matters. Chandran is rebellious and raises his voice against the suffocating customs. His father still does not lose his cool and tries to understand Chandran’s feelings.
In fact Chandran’s father is like a solid, strong rock of support and understanding in his life. Chandran revolts and runs away. When he sends telegram to ask him for some money, he sends double the money asked. When Chandran is back his father keeps all his reservations aside to help him start his business. Even in the matter of marriage, he is caring and cautious enough not to force Chandran and give him his space and time.
Chandran’s mother, on the other hand, is a bit more conservative and believes more religiously in societal norms. She is every bit a conventional, traditional, pious, god fearing mother. She considers herself to be the custodian of their family name and prestige. Yet her beliefs are not rigid enough to obliterate her son’s suffering. She is not happy with the idea of Chandran marrying Malathi, yet she consents to the alliance when she sees her son pining and longing in love.
She takes care of Chandran’s smallest needs and wishes. When Chandran comes back after months, he finds that her mother has kept his room exactly the way he left it.
Chandran’s brother Seenu is also a source of positivity in his life. Chandran has a brush with the world and its profligate and misleading ways while he is in Madras all by himself. It is his strong bonding with his family, and good family values that save him from going astray. Though he has never faced the world before, he understands the difference between right and wrong, and saves himself from falling a prey to the temptations of the world.
Despite all his follies, his family accepts him wholeheartedly. It is strong family relationships that keep him grounded and sane. When he is back, he is considerate enough to not reveal anything to his parents about his whereabouts. He knows that it would cause immense pain and agony to his parents if they get to know that he became a sanyasi.  
The theme of family relationship also surfaces in the horoscope episode. D. W. Krishna Iyer’s financial and social status is far below that of Chandran’s father Mr. Venkatchala Iyer. An alliance with Chandran’s family would have been an impossibility otherwise. Despite all this, he refuses to risk his daughter’s life for the sake of an excellent alliance. He is firm in his refusal and it shows his concern and care for his family.
Family relationships are the pivot around which the lives of all the character revolve.


  • THEME OF FRIENDSHIP

Chandran’s friends and their support and guidance play a major role in making Chandran a responsible adult. Chandran’s family provide him emotional support and strength, but his friends offer him an emotional release, a channel where he can let out his insecurities, emotional challenges, and trauma. Chandran’s friends Ramu, Mohan, Natesan, and Veeraswami contribute in their own diverse ways in sorting Chandran’s life.
When the novel opens Chandran is an undergraduate student of Albert Mission College and Ramu is his dearest friend. He is not just his classmate, but also his neighbor as he lives in Lawley Extension next to Chandran’s house. Ramu and Chandran have their share of college fun together, they discuss their professors, talk about their future plans, and share their anxieties with each other.
When Chandran and Ramu go for a night show, Chandran feels happy that he has a friend like Ramu by his side. He is a source of boundless laughter, and provides running commentary on men and manners. Night show is something that has to be approached with a certain formality, preceded by a tiffin at a hotel and followed by betel chewing and cigarettes. They enjoy this whole ceremony together and Chandran feels that he could never have been able to have this much fun without Ramu by his side.
They also have their share of tiffs and quarrels. Chandran is already upset about the fact that Prof. Raghavachar has summoned him for a meeting. Ramu cracks a joke at Chandran’s expense, and he flares up. They have an argument and Ramu goes home without Chandran. Chandran, after meeting the professor, goes to Ramu’s place and makes up with him. He feels sorry for his behavior and they are back to their old selves again. They value each other’s company.
Chandran misses Ramu the most when he leaves Malgudi after their graduation. He goes to the banks of Sarayu all alone and misses his remarks and observations about people. He misses Ramu the most because both of them have the same interests and taste. When he is back after eight months’ absence, he desperately seeks Ramu’s company to divulge all the secrets of his wanderings as a sanyasi. He also feels hurt that Ramu has not informed him about his job with Railways in Bombay.
In Ramu’s absence it is Mohan with whom Chandran acquires a great level of intimacy. Mohan is also his college buddy and is a poet who wants an audience. When he requests Chandran to arrange for a recitation of his poems at a program of Historical Association, Chandran shows his inability in doing so as Prof. Raghavachar would not allow this. Chandran invites Mohan to his house and listens to his poems every night.
Mohan proves to be a great source of support to Chandran in the Malathi episode. Mohan lives opposite to Malathi’s house and gathers all the information about Malathi for Chandran. He is the audience of Chandran’s emotional outbursts and frustration when he is at loggerheads with his family in the Malathi case. Chandran is hurt that for his parents money and social status are more important than their son’s happiness. When Mohan shows a poem titled ‘Money Love’, Chandran asks him to take the poem with himself. He shows the poem to his father who feels hurt and is pained to realize that Chandran has misunderstood them.
Chandran writes a letter to Malathi and asks mohan to deliver it to her. In the letter he has asked Malathi to wait for him for two years, the period after which the ill effect of horoscope would be ineffective. Mohan fails to deliver the letter as he does not find an opportunity. Chandran is furious and leaves Mohan’s room in disgust.
After coming back, he seeks some friend’s company to share all the facts and feelings that he cannot talk about to his parents. He calls Mohan. Mohan becomes a great source of support and strength in these tender times. When Chandran discloses to him that he wants to be financially independent, it is Mohan who suggests him to take up the agency of The Daily Messenger. He also helps Chandran in setting up his business.
When Chandran is nonplussed regarding getting married, it is Mohan who encourages him to look at the positive side of this alliance, and is instrumental in making Chandran agree to consider the marriage proposal. Mohan is a rock solid support to Chandran and plays a significant role in shaping his life.
Natesan helps in building Chandran’s confidence as an orator. He is the one who provides Chandran with an opportunity to speak at a debate at the beginning of the novel. While Chandran has a special dislike for a secretary’s job, he l;earns a lot from Natesan when he is made one. Natesan helps Chandran in organizing Historical Association’s meetings and guides him throughout. It is because of Natesan that Chandran develops a respect for the post of secretary and realizes that every job has its own set of challenges and one needs to accomplish their responsibilities with labor and finesse.
Veeraswami is the rebellious sort. He is anti-imperialism and is strong advocate of Indian independence from British rule. He reads a paper condemning the British empire at the Historical Association program and lands Chandran in a soup as Prof. Brown and Prof. Raghavachar are very upset at this incident. He accompanies Chandran to the banks of Sarayu after their college life is over. He forms a Resurrection Brigade and looks for young enthusiast who would help him in overthrowing the British government. Veeraswami’s character helps the reader associate the novel with the time and milieu that it was a part of. Pre-independence India and its unrest with the British government is voiced through this character.

  • THEME OF RENUNCIATION

Renunciation and the myths and images associated with it form an important theme in the novel. Though renunciation as a significant factor comes into play in the third part of the novel, a hint of the same is made in the first part in the flower-thief episode. This episode brings to light the awe and respect that is bestowed on people with ochre clothes in India.
There is a sudden disappearance of flowers from their garden. Chandran’s mother is upset as she fails to offer flowers during worship because of this theft. The family is determined to catch the thief and they plan for an early morning ambush. They fail the first morning and change their strategy for the second day. They succeed and catch the thief who turns out to be a man in ochre clothes. Chandran’s mother is horrified at the idea of punishing him for his offence. Even Chandran’s father loosens his grip on the thief when he notices his clothes. They do not punish him. Rather they reach at an understanding where the thief promises to take only few flowers and leave some for Chandran’s mother to offer for her daily worship.
Chandran is very upset with this attitude of his parents and mentions that these sanyasis fool people and take benefit of innocent people’s belief on them. It is ironical to note that Chandran himself resorts to becoming a sanyasi and lives off people’s charity, and faith in his spiritual superiority.
In order to escape Kailas’s profligate ways, he runs away from the brothel. When he stops after running across a few lanes, he sits down on the pavement and feels like going back to Malgudi. But the thought of his mother’s heartless rigidity, horoscope, Malathi’s wedding, and the pain of this suffering stops him from going back. He decides to become a sanyasi instead. For him the world has lost its meaning and significance. He wants to renounce and run away from the world. For him renunciation is a means of escape from the harsh realities of his life. Instead of facing his heartbreak with maturity and courage, he finds ways to blame others and indulges in self-pity. He feels that his parents don not love him enough to cast aside their prejudices. So he becomes a sanyasi with the help of  a barber called Ragavan.
He eats whatever people offer him and sleeps in the open at night. The only challenge for him is to control his urge for coffee. But determined to indulge in self-mortification, he soon controls the urge.
After roaming for around eight months across various districts, he comes to a village called Koopal in Sainad district. He is tired and hungry and falls asleep under a tree. When he wakes up, he finds himself surrounded by many villagers who feel honored that a sadhu has stopped in their village. They want to talk to Chandran, but Chandran is in no mood to respond. So he makes them understand that he has taken a vow to remain silent. The villagers take him to be great saint who has vowed to remain silent for ten years. They offer him fruits, food and other gifts. Gradually, people from neighboring villages also start thronging the place to seek Chandran’s blessings. Chandran lives under a tree, so they arrange for a lantern and take care of all his needs. Chandran starts feeling guilty of cheating the innocent villagers. They respect him for being a sage, but he has embraced renunciation as an alternative to suicide. He is not a sanyasi who has renounced the world in the path of god. He feels ashamed for having caused so much of grief and worries to his parents. Overwhelmed by these thoughts, he decides to return to his parents.
This period of eight months is a time for him for some soul searching. It gives him enough space and time to get the haze of confusion, frustration, and anger clear off his mind. He realizes his mistakes and seems ready to bear his responsibility of being a good son. Though he has still not matured enough to stop blaming others (Malathi, in particular) for whatever happened, he realizes the futility of his aimless wanderings. This renunciation is a leap forward for him towards attaining emotional maturity.

  • THEME OF LOVE

Love as an emotion strikes Chandran twice and both the time it changes his life completely. After the completion of his college, he falls for Malathi at first sight and is hell-bent on marrying her. This love affair disrupts the order and harmony of his life and offers the central conflict in the novel. He is ready to fight against the whole world to be able to marry Malathi. The whole idea of matching of horoscopes seem to be too backward and stifling to him.
He is at loggerheads with his family and particularly blames his mother for playing the villain in his love affair. First, she objects to the low social status of Malathi’s parents; secondly, she finds it demeaning and humiliating to make an offer of marriage to the girl’s parents as according to custom it should happen the other way round. And then the whole horoscope debacle serves as the last nail in the coffin.
Heartbroken, frustrated and full of bitterness for everyone around, Chandran leaves the home to become a sanyasi. He constantly blames Malathi, Mohan, his parents and Malathi’s parents for all the suffering that he has to endure. Even when he Meets Susila for the first time and instantly falls in love with her, he does not forget to compare her with Malathi and think about Malathi contemptuously and mockingly.
But it is interesting to note that it is love only that wipes away all this bitterness and reinstates his faith in love and life. He is head over heels in love with Susila and raves about her qualities. The contentment and bliss of this relationship makes him see things in better perspective and he takes into account the fact that all the people have their share of struggles and problems. He is ready to discount everything that he has experienced and is willing to embrace the promising and happy future that lies ahead. Only now he can think of Malathi as just a learning experience in his life and wishes her all the health and happiness. With Susila’s love in his life as an anchor, he is at ease with his life and circumstances. He has achieved a level of emotional stability and maturity that was always lacking in his personality. He is at peace with himself and the world around.